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Who We Are
Folklife
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Journal
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Join
Shop
Contact
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Home
Who We Are
Folklife
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All Items Tributaries, No. 18
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Tributaries, No. 18

$12.00

Journal of the AFA. Articles include:

Reimagining the Black Past: Black Funeral Pamphlets and the Elmore County Black History Museum — John Giggie

Above and Below: Stories from the Lives of Brookwood, Alabama Coal Miners — Kristina Mullenix with Allison Grant

Tornado Shelters, Root Cellars, and Fraidy Holes: An Exploration of Storm Shelters in North Alabama as Folk Architecture — Abraham Rowe

Convertibles, Crewcuts, and Jewish Cadets: Craig Air Force Base and the Jews of Selma, Alabama — Amy Milligan

Afro Tales: The Sankofa Cycle of the Creative Process — Carlton V. Bell II

But Still We’re Joined at Heart: Sacred Harp Memorial Lessons during the COVID-19 Pandemic — Stefani Priskos

Drag as Alabama Folklife — Isabel Machado

Daughter of the Piñata Lady — Edy Aguilar

Ten Alabama Synagogues — Emily Williams

Silas Green from New Orleans Comes to Alabama — Edith Powell and Shari Williams

Ninteen Rabbis in Birmingham: Remembering and Recounting a Civil Rights Story — Margaret Norman

Negro Folk Music of Alabama, Folkways Records, and Harold Courlander — James I. Deutsch

Reviews: Magic City: How the Birmingham Jazz Tradition Shaped the Sound of America by Burgin Mathews (review by Gary Motley); Grave History: Death, Race, and Gender in Southern Cemeteries edited by Kami Fletcher and Ashley Towle (review by Jim Ellis)

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Journal of the AFA. Articles include:

Reimagining the Black Past: Black Funeral Pamphlets and the Elmore County Black History Museum — John Giggie

Above and Below: Stories from the Lives of Brookwood, Alabama Coal Miners — Kristina Mullenix with Allison Grant

Tornado Shelters, Root Cellars, and Fraidy Holes: An Exploration of Storm Shelters in North Alabama as Folk Architecture — Abraham Rowe

Convertibles, Crewcuts, and Jewish Cadets: Craig Air Force Base and the Jews of Selma, Alabama — Amy Milligan

Afro Tales: The Sankofa Cycle of the Creative Process — Carlton V. Bell II

But Still We’re Joined at Heart: Sacred Harp Memorial Lessons during the COVID-19 Pandemic — Stefani Priskos

Drag as Alabama Folklife — Isabel Machado

Daughter of the Piñata Lady — Edy Aguilar

Ten Alabama Synagogues — Emily Williams

Silas Green from New Orleans Comes to Alabama — Edith Powell and Shari Williams

Ninteen Rabbis in Birmingham: Remembering and Recounting a Civil Rights Story — Margaret Norman

Negro Folk Music of Alabama, Folkways Records, and Harold Courlander — James I. Deutsch

Reviews: Magic City: How the Birmingham Jazz Tradition Shaped the Sound of America by Burgin Mathews (review by Gary Motley); Grave History: Death, Race, and Gender in Southern Cemeteries edited by Kami Fletcher and Ashley Towle (review by Jim Ellis)

Journal of the AFA. Articles include:

Reimagining the Black Past: Black Funeral Pamphlets and the Elmore County Black History Museum — John Giggie

Above and Below: Stories from the Lives of Brookwood, Alabama Coal Miners — Kristina Mullenix with Allison Grant

Tornado Shelters, Root Cellars, and Fraidy Holes: An Exploration of Storm Shelters in North Alabama as Folk Architecture — Abraham Rowe

Convertibles, Crewcuts, and Jewish Cadets: Craig Air Force Base and the Jews of Selma, Alabama — Amy Milligan

Afro Tales: The Sankofa Cycle of the Creative Process — Carlton V. Bell II

But Still We’re Joined at Heart: Sacred Harp Memorial Lessons during the COVID-19 Pandemic — Stefani Priskos

Drag as Alabama Folklife — Isabel Machado

Daughter of the Piñata Lady — Edy Aguilar

Ten Alabama Synagogues — Emily Williams

Silas Green from New Orleans Comes to Alabama — Edith Powell and Shari Williams

Ninteen Rabbis in Birmingham: Remembering and Recounting a Civil Rights Story — Margaret Norman

Negro Folk Music of Alabama, Folkways Records, and Harold Courlander — James I. Deutsch

Reviews: Magic City: How the Birmingham Jazz Tradition Shaped the Sound of America by Burgin Mathews (review by Gary Motley); Grave History: Death, Race, and Gender in Southern Cemeteries edited by Kami Fletcher and Ashley Towle (review by Jim Ellis)

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